The World’s 50 Best Hotels 2025 is hot off the press – and Australia has scored big, with two local stays making the cut.
The world doesn’t want for excellent hotels. Boundary-pushing design is rife, and impeccable service is now the benchmark, with new stays cropping up globally faster than we present our passports at check-in. Safe to say it makes earning a place on the annual World’s 50 Best Hotels list – the world’s foremost gauge for hotel excellence – all the more prestigious.
The rankings for 2025 have just been announced at an awards ceremony at Old Billingsgate in London, where travel industry leaders and enthusiasts convened to celebrate groundbreaking hospitality feats. The list features 22 destinations across six continents, along with several special award categories. Here are the highlights.
Look out over dazzling Victoria Harbour. (Supplied: Rosewood Hong Kong)
The results
Climbing two places from no.3 in 2024, Rosewood Hong Kong took home this year’s crowning title of the world’s best hotel. Rising 270 metres above Victoria Harbour, the coveted 413-key address is a shining beacon of art, design and swoon-worthy water views. It has attracted Hong Kong’s elite and a continuous stream of well-heeled travellers since its grand opening in 2019.
Four Seasons Hotel Bangkok at Chao Phraya River took out second place. (Image: Supplied)
Asia continued its winning streak with 19 other hotels noted on the list – the highest number of any continent. These included Four Seasons Hotel Bangkok at Chao Phraya River and Capella Bangkok in second and third place respectively. Bali’s Desa Potato Head (no.18) was also presented the Eco Hotel Awardafter a rigorous audit by the Sustainable Restaurant Association. Close on Asia’s heels was Europe with 17 top 50 rankings and North America with six.
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The Aussie hotels that made the list
Capella Sydney was named the 12th best hotel in the world. (Image: Supplied)
Capella Sydney was named The Best Hotel in Oceania 2025, scoring a strong 12th place in the overall rankings. Housed in an Edwardian sandstone building once home to the Department of Education, the heritage-listed icon exudes contemporary opulence with its grand architectural bones and curated local artwork. Expect personalised touches, intriguing objets d’art and intimate elegance across 192 rooms and suites.
Pastel hues bring a playful energy to The Calile Hotel. (Image: Supplied)
Meanwhile, The Calile Hotel, located in Brisbane’s hip hood of Fortitude Valley, was accoladed no.34 in the global rankings. This marks the third consecutive year it has been featured on the list, with the hotel awarded no.12 in 2023 and no.25 in 2024. It’s not hard to see why. The hotel leans hard into a modernist Miami-meets-Palm-Springs energy with 175 guest rooms and suites dressed in pastel palettes. But the pièce de résistance is the breathtaking botanical pool deck, where guests can kick back beneath cute-as-a-button sage umbrellas.
The World’s 50 Best Hotels 2025 list
Rosewood Hong Kong, Hong Kong
Four Seasons Bangkok at Chao Phraya River, Bangkok
Capella Bangkok, Bangkok
Passalacqua, Lake Como
Raffles Singapore, Singapore
Atlantis The Royal, Dubai
Mandarin Oriental Bangkok, Bangkok
Chablé Yucatán, Chocholá
Four Seasons Firenze, Florence
Upper House Hong Kong, Hong Kong
Copacabana Palace, Rio de Janeiro
Capella Sydney, Sydney
Royal Mansour, Marrakech
Mandarin Oriental Qianmen, Beijing
Bulgari Tokyo, Tokyo
Claridge’s, London
Four Seasons Astir Palace, Athens
Desa Potato Head, Bali
Le Bristol, Paris
Jumeirah Marsa Al Arab, Dubai
Cheval Blanc Paris, Paris
Bulgari Roma, Rome
Hôtel de Crillon, Paris
Rosewood São Paulo, São Paulo
Aman Tokyo, Tokyo
Hotel Il Pellicano, Porto Ercole
Hôtel du Couvent, Nice
Soneva Fushi, Maldives
The Connaught, London
La Mamounia, Marrakech
Raffles London at The OWO, London
The Emory, London
Maroma, Riviera Maya
The Calile, Brisbane
The Lana, Dubai
Hôtel de Paris Monte-Carlo, Monaco
Janu Tokyo, Tokyo
The Taj Mahal Palace, Mumbai
One&Only Mandarina, Riviera Nayarit
Singita – Kruger National Park, Kruger National Park
Mandarin Oriental Hong Kong, Hong Kong
Hotel Bel-Air, Los Angeles
The Mark, New York
Las Ventanas al Paraíso, Los Cabos
The Tokyo Edition Toranomon, Tokyo
Hotel The Mitsui, Kyoto
Estelle Manor, Witney
Grand Park Hotel Rovinj, Rovinj
Hotel Sacher Vienna, Vienna
Mandapa, Bali
How the 50 Best voting works
The World’s 50 Best Hotels is an annual ranking of the top hotel venues across the globe as voted for by a panel of more than 800 global industry experts.To ensure the panel provides a fair representation, the Academy Chairs are split across 13 geographical regions, with each chair selected as a travel and hotel expert in their region. The 13 Academy Chairs each select a voting panel from their region comprising a balance of hoteliers, travel journalists, hotel educators and consumer travel connoisseurs.
Eleanor Edström is Australian Traveller’s Associate Editor. Previously a staff writer at Signature Luxury Travel & Style and Vacations & Travel magazines, she's a curious wordsmith with a penchant for conservation, adventure, the arts and design. She discovered her knack for storytelling much earlier, however – penning mermaid sagas in glitter ink at age seven. Proof that her spelling has since improved, she holds an honours degree in English and philosophy, and a French diploma from the University of Sydney. Off duty, you’ll find her pirouetting between Pilates and ballet classes, or testing her friends’ patience with increasingly obscure vocabulary.
Abandoned mills and forgotten paper plants are finding second lives – and helping redefine a city long underestimated.
Just 15 years ago, Federal Mills was a very different place. Once among the most significant industrial sites in Victoria, the historic woollen mill was one of a dozen that operated in Geelong at the industry’s peak in the mid-20th century, helping the city earn its title as ‘wool centre of the world’. But by the 1960s global competition and the rise of synthetic fabrics led to the slow decline of the industry, and Federal Mills finally shuttered its doors in 2001. Within a few years, the abandoned North Geelong grounds had become makeshift pastoral land, with cows and goats grazing among the overgrown grass between the empty red-brick warehouses. It was a forgotten pocket of the city, all but two klicks from the bustle of the CBD.
Geelong has shed its industrial identity to become an innovative urban hub with reimagined heritage spaces. (Image: Ash Hughes)
Federal Mills: from forgotten factory to creative precinct
Today, the century-old complex stands reborn. The distinctive sawtooth-roof buildings have been sensitively restored. An old silo is splashed with a bright floral mural, landscapers have transformed the grounds, and the precinct is once again alive with activity. More than 1000 people work across 50-plus businesses here. It’s so busy, in fact, that on a sunny Thursday morning in the thick of winter, it’s hard to find a car park. The high ceilings, open-plan design, and large multi-paned windows – revolutionary features for factories of their time – have again become a drawcard.
Paddock Bakery and Patisserie is housed within the historic wool factory. (Image: Gallant Lee)
At Paddock , one of the precinct’s newer tenants, weaving looms and dye vats have been replaced by a wood-fired brick oven and heavy-duty mixers. Open since April 2024, the bakery looks right at home here; the building’s industrial shell is softened by ivy climbing its steel frames, and sunlight streams through the tall windows. Outside, among the white cedar trees, families at picnic benches linger over dippy eggs and bagels, while white-collar workers pass in and out, single-origin coffee and crème brûlée doughnuts in hand.
Geelong: Australia’s only UNESCO City of Design
Paddock Bakery can be found at Federal Mills. (Image: Gallant Lee)
“A lot of people are now seeing the merit of investing in Geelong,” says Paul Traynor, the head of Hamilton Hospitality Group, which redeveloped Federal Mills. A city once shunned as Sleepy Hollow, and spurned for its industrial, working-class roots and ‘rust belt’ image, Geelong has long since reclaimed its ‘Pivot City’ title, having reinvented itself as an affordable, lifestyle-driven satellite city, and a post-COVID migration hotspot.
And the numbers stand testament to the change. In March 2025, and for the first time in its history, Greater Geelong became Australia’s most popular regional town for internal migration, overtaking Queensland’s Sunshine Coast. Current forecasts suggest Geelong will continue to outpace many other Australian cities and towns, with jobs growing at double the rate of the population.
Tourism is booming, too. The 2023-24 financial year was Geelong and The Bellarine region’s busiest on record, with 6.4 million visitors making it one of the fastest-growing destinations in the country. It’s not hard to see why: beyond the city’s prime positioning at the doorstep of the Great Ocean Road, Geelong’s tenacity and cultural ambition stands out.
As Australia’s only UNESCO City of Design, Geelong is swiftly shaking off its industrial past to become a model for urban renewal, innovation, sustainability and creative communities. The signs are everywhere, from the revitalisation of the city’s waterfront, and the landmark design of the Geelong Library and Heritage Centre and Geelong Arts Centre, to the growing network of local designers, architects and artists, and the burgeoning roster of festivals and events. That’s not even mentioning the adaptive reuse of storied old industrial buildings – from Federal Mills, to Little Creatures’ brewery ‘village’ housed within a 1920s textile mill – or the city’s flourishing food and wine scene.
The rise of a food and wine destination
Restaurant 1915 is housed within a restored former boiler house. (Image: Harry Pope/Two Palms)
Traynor credits now-closed local restaurant Igni, which opened in 2016, as the turning point for Geelong’s hospo industry. “[Aaron Turner, Igni’s chef-patron] was probably the first guy, with all due respect, to raise the bar food-wise for Geelong,” he says. “People now treat it really seriously, and there’s clearly a market for it.” While Igni is gone, Turner now helms a string of other notable Geelong venues, including The Hot Chicken Project and Tacos y Liquor, all within the buzzy, street art-speckled laneways of the CBD’s Little Malop Street Precinct. Many others have also popped up in Igni’s wake, including Federal Mills’ own restaurant, 1915 . Housed within the cavernous boiler house, 1915’s interior is dramatic: soaring, vaulted ceilings with timber beams, exposed brick, a huge arched window. The share plates echo the space’s bold character, playing with contrast and texture, with dishes such as a compressed watermelon tataki, the sweet, juicy squares tempered by salty strands of fried leeks, and charred, smoky snow peas dusted with saganaki on a nutty bed of romesco.
The Woolstore is a new restaurant and bar housed within a century-old warehouse. (Image: Amy Carlon)
The Woolstore , one of The Hamilton Group’s most recent hospo projects, opened in February. It occupies a century-old riverside warehouse and exudes a more sultry, fine dining ambience. Much like Federal Mills, the blueprint was to preserve the original brickwork, tallowwood flooring and nods to the building’s former life. That same careful consideration extends to the well-versed, affable waitstaff as well as the kitchen. Head chef Eli Grubb is turning out an eclectic mix of ambitious and indulgent mod Oz dishes that deliver: strikingly tender skewers of chicken tsukune, infused with hints of smoke from the parrilla grill, and glazed with a moreish, sweet gochujang ‘jam’; nduja arancini fragrant with hints of aniseed and the earthy lick of sunny saffron aioli; and golden squares of potato pavé, adorned with tiny turrets of crème fraîche, crisp-fried saltbush leaves, and Avruga caviar, to name but a few stand-out dishes.
Woolstore’s menu is designed for sharing.
Breathing new life into historic spaces
On the city’s fringe, hidden down a winding side road with little fanfare, lies a long-dormant site that’s being gently revived. Built from locally quarried bluestone and brick, and dating back to the 1870s, the complex of original tin-roofed mill buildings is lush with greenery and backs onto the Barwon River and Buckley Falls; the audible rush of water provides a soothing soundtrack. Fyansford Paper Mill is one of few complexes of its time to survive intact. It feels steeped in history and spellbindingly rustic.
“We were looking for an old industrial place that had some charm and romance to it,” explains Sam Vogel, the owner, director and winemaker at Provenance Wines which moved here in 2018. When he first viewed the building with his former co-owner, it was in such a state of disrepair that the tradie tenant occupying the space had built a shed within it to escape the leaking roof and freezing winter temperatures. “To say it was run down would be an understatement,” he notes. “There was ivy growing through the place; the windows were all smashed. It was a classic Grand Designs project.”
Provenance Wines moved to Fyansford Paper Mill in 2018. (Image: Cameron Murray Photography)
The team has since invested more than a million dollars into their new home. Where paper processing machinery once sat, wine barrels are now stacked. Vaulted cathedral ceilings are strung with festoon lights, and hidden in plain sight lies a shadowy mural by local street artist de rigueur Rone – one of only three permanent works by the artist.
While the award-winning, cool-climate pinot noir, riesling and chardonnay naturally remain a key draw at Provenance, the winery’s restaurant is a destination in itself. Impressed already by whipsmart service, I devour one of the most cleverly curated and faultlessly executed degustations I’ve had in some time. It’s all prepared in a kitchen that is proudly zero-waste, and committed to providing seasonal, ethical and locally sourced meat and produce under head chef Nate McIver. Think free-range venison served rare with a syrupy red wine jus and a half-moon of neon-orange kosho, shokupan with a deeply savoury duck fat jus (a modern Japanese take on bread and drippings), and a golden potato cake adorned with a colourful confetti of dehydrated nasturtiums and tomato powder, and planted atop a sea urchin emulsion.
Bell’s handcrafted functional pieces on display.
The complex is home to a coterie of independent businesses, including a gallery, a jeweller, and its latest tenant, ceramicist Elizabeth Bell, drawn here by the building’s “soul”. “There’s so much potential for these buildings to have new life breathed into them,” says Bell, whose studio is housed within the old pump room. “Even people in Geelong don’t know we’re here,” she says. “It’s definitely a destination, but I like that. It has a really calming atmosphere.”
A Melbourne transplant, Bell now feels at home in Geelong, which offers something Melbourne didn’t. “If this business was in Melbourne I don’t think it would’ve been as successful,” she notes. “It’s very collaborative in Geelong, and I don’t think you get that as much in Melbourne; you’re a bit more in it for yourself. Here it’s about community over competition.”
Ceramicist Elizabeth Bell has a store in Fyansford Paper Mill.
