Unsung Heroes of Australian Wine

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Australia is home to more than 1800 wineries, just ten of which represent over 80 percent of domestic sales. A few dozen others garner the lion’s share of media attention. Where does that leave the rest? Virtually ignored, says AT Gourmet Guy Tom Neal Tacker.

“First we grew potatoes," says Norman Latta of Eastern Peake Winery, some 25km from Ballarat. “Then we replanted in 1983. Why here, in an area that hadn’t any grapes before? Trevor Mast from Mt Langi Ghiran told me it had potential and we went from there. We planted Pinot Noir and Chardonnay. It was all a risk."

 

Planting grapes on a high and windswept property? Risk indeed. With a total production of less than 1200 cases a year,Eastern Peakeis truly boutique. And at five hectares, surprisingly, it’s the largest in the region. Few wine enthusiasts have heard of it, much less Ballarat as a wine region, which is a pity, as the wines are fabulously good.

 

The Australian wine industry is full of such small operators with postage stamp-sized vineyards making marginal profits, all of them competing in a shallow domestic sales pool. Most minimise yields to ensure quality, but spend big on expensive cooperage, among other financial risk factors. There’s a desire to make wine of which they can be proud, rather than simply wine that sells. Of the whole of the Australian wine industry, these are the unsung heroes.

HOW TO SPOT ONE

Industry big boys dominate wine retail shops more than ever as the supermarket chains continue to swallow up smaller outlets one after another, leaving small producers like Latta less and less shelf space. It’s survival of the fittest in a very tough market. Without cellar door sales and mailing lists of loyal customers, they’re sunk.

 

Many smaller operators have done well on the Australian show circuit, but most don’t. Some are also very accomplished at courting the wine press, but most aren’t. And many wouldn’t enter a show system that tends to be biased against the wines they make (ie, ones that are shy and unassuming, rather than the attention-seeking, over-oaked and sweet wines that attract a tired judge’s palate after the 195th sample of the day).

 

Eastern Peake wines are food-friendly wines. They don’t show their optimum character just out of the bottle or drunk without a meal. This is typical of an unsung hero wine. They blush with timidity upon first introduction, but blossom into rare treats with familiarity and good food.

 

It’s a pity so many winemakers toil so long in the vineyard, at such minimal profit, so that little time is left for promotion, marketing and publicity. Many naively believe their wines should sell themselves. A fine sentiment, but the reality of the marketplace often leaves them on the outer fringe of public recognition.

 

Winemakers are passionate about what they do and generous with their time when visitors arrive but rarely do they pursue publicity. I find this appealing but am also fearful for their future. Without them, our expanding wine industry will suffer. They’re pioneers, planting in new locations and experimenting with styles and little known varieties that larger wineries avoid, mindful of the bottom line. It would be a terrible loss to us all if market pressures force the many interesting, often quixotic wineries like Eastern Peakeout of business.

 

In going out of your way to visit wineries you don’t know, the rewards gained are vastly disproportionate to the occasional bad vintage or amateurishly made drop. I find myself concurring with the Michelin mantra: il vaut le detour. No detour is too far out of your way if the result is another undiscovered gem. So, rather than trot out the same old “usual suspects" account of well-publicised wineries, I offer up a shortlist of some of the unsung heroes I’ve been lucky enough to encounter.

EXPLORING THE RANGE

Norm Latta of Eastern Peake aside, let’s begin with some more Victorians: Ken and Juliet Eckersley of Nicholson River Winery in East Gippsland. Not only does Ken make some of the country’s most intriguing Pinot Noir and Chardonnay, he also makes what I consider to be Australia’s best vinegar. No, that’s not a joke, even if you’re not supposed to mention wine and vinegar in the same sentence. Seriously, Ken’s wine vinegar, derived from a carefully cultured “mother", puts most others to shame. Like his delicious wines, it’s unique and memorable.

 

Chris Pfeiffer of Carlyle Wines, Rutherglen, offers his family label ex-cellar door only. His better-known Carlyle range has had export success and is on the Rutherglen map of renown but for me the Pfeiffer range is always worth the detour to the cellar door. His Gamay, one of the few produced in Australia, is reasonably priced and makes a wonderful hot weather red when lightly chilled. Pfeiffer’s vintage ports are outstanding as is the rest of the fortified range.

 

Just outside Beechworth, near other more revered and media darling wineries, Keppell Smith of Savaterre Winery makes standout Pinot Noir and Chardonnay. At a recent Victorian Wine Exhibition, Keppell offered tastes of his Pinot Noir from a sleek decanter where the wine had been properly aired long enough to bring out its latent beauty. I may be jumping the gun, but Savaterre is one to watch out for. Keppell hides his light under the proverbial bushel. He shouldn’t.

 

In the Kiewa Valley, up the road (there is only one) from Mt Beauty is Ceccanti Wines owned by the Ceccanti family. Father Angelo, his wife Moya and their winemaking son Danny run the enterprise. It’s the largest vineyard in the Kiewa Valley, surrounded by stunning mountain scenery. They run a very pleasantly informal cafe there and a bakery cafe in Mount Beauty that has revitalised the town centre by offering local kids a place to hang out that isn’t the pub. Ceccanti Wines are uniformly distinguished and have a remarkable local flavour, a prime example of terroir in action.

CROSSING INTO NSW

I’m routinely surprised at how little acclaim David Lowe and Jane Wilson receive for their dual success at everything they turn their minds and hands to. Apart from their invariably superb Lowe Family Wines range, they’ve become the unsung heroes of the Mudgee region, making wine contractually for seemingly everyone there (and a few in Orange), so often are they credited on the reverse of wine labels. There are many other winemakers doing marvellous things in the area, but however David and Jane are prolific but prosaically humble.

 

When in Orange I make a point of visiting Bloodwood Wines. Made by Stephen and Rhonda Doyle, this dedicated couple are the forerunners in helping to create Orange’s budding reputation as a foodies’ pilgrimage. They began inauspiciously in a tin shed, where they lived before building their house, keeping their focus on their vineyards at the expense of physical comfort. Stephen makes stunning wines, when vintage conditions allow, successfully eschewing the limelight. He isn’t shy – indeed he’s a bit of a local character – but he lets his wines speak for themselves. His rose, Men in Tights, must be one of the best in Australia. It certainly has the most memorable name.

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QUEENSLAND BOUND

Queensland, our wine industry’s country cousin in extremis, is almost always left out of the picture. Yes, some of the wines aren’t yet up to par but anyone who persists and proves that great wine can indeed be made there deserves respect and a larger following. Warren and Sue Smith of Pyramid’s Road Wines in Stanthorpe’s wine country near Ballandean are doing just that. They’re making fewer than 500 dozens of wine per year; it’s a hands-on business. Again, smaller is better for the consumer. Their Bernie’s Blend of Cabernet,Shirazand Merlot is a wine of remarkable character and the Verdelho is to me what this variety is all about: freshness, vivacity and ease.

APPLE ISLE

Tasmaniais chock-a-block with boutique wineries all vying for greater attention. I could list a large number, but one stands out: Apsley Gorge of Bicheno on the east coast. When I first tasted its Pinot Noir some years ago, it was a revelation. It’s owned and operated by Brian Franklin, a former abalone diver who clearly knows the importance of site selection. I came across him one day at the Salamanca Markets in Hobartand found myself gushing, again, about his Pinot Noir. He must think me mad. I think he’s mad not to bask in the praise.

A BRILLIANT BLEND

South Australia, the wine state, rests its tourism reputation on the accessibility and fineness of its wine scene. Barossa, McLaren Vale, Clare and Eden Valleys, the Coonawarra – all take centre stage for the wine-intent visitor. I tend to go off track and visit Langhorne Creek and the Adelaide Hills, scouting for the newest operators on the block. Long ago I discovered Leland Estate in the Adelaide Hills near Lenswood. Owned and operated by Robb Cootes, Leland is a single vineyard of 2.5 hectares planted to Sauvignon Blanc, Chardonnay and Pinot Noir. Robb is a major unsung hero in my opinion. His Sauvignon Blanc is one of the best in the country. Unfortunately you don’t see much of it outside Adelaide but that doesn’t mean it shouldn’t be celebrated. His Pinot Noir is as good as any other acclaimed Pinot in the neighbourhood. That the former senior red winemaker of Yalumba should make such an amazing Sauvignon Blanc constantly amazes me. Knowing Robb only a little, however, should be enough to render me unsurprised. He brings out the poetry in grapes.

WEST IS BEST

WA is also a treasure trove of unsung talent. The Margaret River luminaries get all the good press. I’d like to add Janice McDonald of Stella Bella and Suckfizzle atAugustato the growing list; she’s had positive media attention over recent years but deserves more. As one of Australia’s only female brewers, formerly of Matilda Bay brewery and now Little Creatures, she also makes damned fine wines with tremendous individual character. Janice isn’t really shy but she doesn’t boast either. I suppose it’s a matter of choosing to be in the shadow of the Cullens, Vasse Felix,Cape Mentelle, Leeuwin Estate and Pierro crowd.

 

Further east is little Pemberton, and near there is Picardy Estate, run by the Pannell family. Bill Pannell founded Moss Wood winery in 1969, establishing himself as a pioneer. He sold it and planted vines at Picardyin 1993. His son Dan has continued to further Pannell family fame with their outstanding wines. Moss Wood was and is a legendary winery. Strangely,Picardyis known only to the enlightened few. The move to Pemberton was a wise one but the public hasn’t kept track very well. The Pannell family are not unsung but a new verse is well deserved judging from their success atPicardy. The Pinot Noir is truly Burgundian in style (keep it cellared for a few years to bring it out of its well wrought shell), the Shiraz is superb and the Chardonnay exceptionally fine.

 

These are just a sample of Australia’s unsung wine heroes. My list is of course entirely subjective. Space prohibits further exploration but I can’t resist mentioning a few more. They all happen to be from around Canberra: Ken Helm of Helm’s Wines, David Madew of Madew’s Wines and Frank van de Loo of Mount Majura Vineyard. What this says about the Canberra wine region is: watch this space!

DETAILS: Unsung Heroes of Australian Wine

Eastern Peake Winery

WEBSITE // http://www.ballaratwineries.com/

PHONE // (03) 5343 4245

 

Nicholson River Winery

WEBSITE // www.nicholsonriverwinery.com.au

PHONE // (03) 5102 0898

 

Pfeiffer and Carlyle Wines

WEBSITE // www.pfeifferwinesrutherglen.com.au

PHONE // (02) 6033 2805

 

Savaterre Winery

WEBSITE // www.savaterre.com

PHONE // (03) 5727 0551

 

Ceccanti Wines

WEBSITE // http://www.ceccanti.com.au/

PHONE // (03) 5754 5236

 

Lowe Family Wine

WEBSITE // www.lowewine.com.au

PHONE // (02) 6372 0800

 

Bloodwood Wines

WEBSITE // http://bloodwood.biz/

PHONE // (02) 6362 5631

 

Pyramid’s Road Wines

WEBSITE // www.pyramidsroad.com.au

PHONE // (07) 4684 5151

 

Apsley Gorge Winery

EMAIL // agv@tassie.net.au

PHONE // (03) 6375 1221

 

Leland Estate

WEBSITE // www.lelandestate.com.au

PHONE // (08) 8389 6928

 

Stella Bella & Suckfizzle

WEBSITE // www.stellabella.com.au

PHONE // (08) 9757 6377

 

Picardy Estate

WEBSITE // www.picardy.com.au

PHONE // (08) 9776 0036

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Inside Geelong’s glow-up from factory town to creative capital

    Chloe Cann Chloe Cann
    Abandoned mills and forgotten paper plants are finding second lives – and helping redefine a city long underestimated. 

    Just 15 years ago, Federal Mills was a very different place. Once among the most significant industrial sites in Victoria, the historic woollen mill was one of a dozen that operated in Geelong at the industry’s peak in the mid-20th century, helping the city earn its title as ‘wool centre of the world’. But by the 1960s global competition and the rise of synthetic fabrics led to the slow decline of the industry, and Federal Mills finally shuttered its doors in 2001. Within a few years, the abandoned North Geelong grounds had become makeshift pastoral land, with cows and goats grazing among the overgrown grass between the empty red-brick warehouses. It was a forgotten pocket of the city, all but two klicks from the bustle of the CBD.  

    Geelong cellar door wine bar
    Geelong has shed its industrial identity to become an innovative urban hub with reimagined heritage spaces. (Image: Ash Hughes)

    Federal Mills: from forgotten factory to creative precinct 

    Today, the century-old complex stands reborn. The distinctive sawtooth-roof buildings have been sensitively restored. An old silo is splashed with a bright floral mural, landscapers have transformed the grounds, and the precinct is once again alive with activity. More than 1000 people work across 50-plus businesses here. It’s so busy, in fact, that on a sunny Thursday morning in the thick of winter, it’s hard to find a car park. The high ceilings, open-plan design, and large multi-paned windows – revolutionary features for factories of their time – have again become a drawcard.  

    Paddock Bakery andPatisserie
    Paddock Bakery and Patisserie is housed within the historic wool factory. (Image: Gallant Lee)

    At Paddock , one of the precinct’s newer tenants, weaving looms and dye vats have been replaced by a wood-fired brick oven and heavy-duty mixers. Open since April 2024, the bakery looks right at home here; the building’s industrial shell is softened by ivy climbing its steel frames, and sunlight streams through the tall windows. Outside, among the white cedar trees, families at picnic benches linger over dippy eggs and bagels, while white-collar workers pass in and out, single-origin coffee and crème brûlée doughnuts in hand. 

    Geelong: Australia’s only UNESCO City of Design 

    Paddock Bakery
    Paddock Bakery can be found at Federal Mills. (Image: Gallant Lee)

    “A lot of people are now seeing the merit of investing in Geelong,” says Paul Traynor, the head of Hamilton Hospitality Group, which redeveloped Federal Mills. A city once shunned as Sleepy Hollow, and spurned for its industrial, working-class roots and ‘rust belt’ image, Geelong has long since reclaimed its ‘Pivot City’ title, having reinvented itself as an affordable, lifestyle-driven satellite city, and a post-COVID migration hotspot.  

    And the numbers stand testament to the change. In March 2025, and for the first time in its history, Greater Geelong became Australia’s most popular regional town for internal migration, overtaking Queensland’s Sunshine Coast. Current forecasts suggest Geelong will continue to outpace many other Australian cities and towns, with jobs growing at double the rate of the population.

    Tourism is booming, too. The 2023-24 financial year was Geelong and The Bellarine region’s busiest on record, with 6.4 million visitors making it one of the fastest-growing destinations in the country. It’s not hard to see why: beyond the city’s prime positioning at the doorstep of the Great Ocean Road, Geelong’s tenacity and cultural ambition stands out.  

    As Australia’s only UNESCO City of Design, Geelong is swiftly shaking off its industrial past to become a model for urban renewal, innovation, sustainability and creative communities. The signs are everywhere, from the revitalisation of the city’s waterfront, and the landmark design of the Geelong Library and Heritage Centre and Geelong Arts Centre, to the growing network of local designers, architects and artists, and the burgeoning roster of festivals and events. That’s not even mentioning the adaptive reuse of storied old industrial buildings – from Federal Mills, to Little Creatures’ brewery ‘village’ housed within a 1920s textile mill – or the city’s flourishing food and wine scene.  

    The rise of a food and wine destination  

    boiler house
    Restaurant 1915 is housed within a restored former boiler house. (Image: Harry Pope/Two Palms)

    Traynor credits now-closed local restaurant Igni, which opened in 2016, as the turning point for Geelong’s hospo industry. “[Aaron Turner, Igni’s chef-patron] was probably the first guy, with all due respect, to raise the bar food-wise for Geelong,” he says. “People now treat it really seriously, and there’s clearly a market for it.” While Igni is gone, Turner now helms a string of other notable Geelong venues, including The Hot Chicken Project and Tacos y Liquor, all within the buzzy, street art-speckled laneways of the CBD’s Little Malop Street Precinct. Many others have also popped up in Igni’s wake, including Federal Mills’ own restaurant, 1915 Housed within the cavernous boiler house, 1915’s interior is dramatic: soaring, vaulted ceilings with timber beams, exposed brick, a huge arched window. The share plates echo the space’s bold character, playing with contrast and texture, with dishes such as a compressed watermelon tataki, the sweet, juicy squares tempered by salty strands of fried leeks, and charred, smoky snow peas dusted with saganaki on a nutty bed of romesco. 

    Woolstore
    The Woolstore is a new restaurant and bar housed within a century-old warehouse. (Image: Amy Carlon)

     The Woolstore , one of The Hamilton Group’s most recent hospo projects, opened in February. It occupies a century-old riverside warehouse and exudes a more sultry, fine dining ambience. Much like Federal Mills, the blueprint was to preserve the original brickwork, tallowwood flooring and nods to the building’s former life. That same careful consideration extends to the well-versed, affable waitstaff as well as the kitchen. Head chef Eli Grubb is turning out an eclectic mix of ambitious and indulgent mod Oz dishes that deliver: strikingly tender skewers of chicken tsukune, infused with hints of smoke from the parrilla grill, and glazed with a moreish, sweet gochujang ‘jam’; nduja arancini fragrant with hints of aniseed and the earthy lick of sunny saffron aioli; and golden squares of potato pavé, adorned with tiny turrets of crème fraîche, crisp-fried saltbush leaves, and Avruga caviar, to name but a few stand-out dishes.  

    Woolstore menu
    Woolstore’s menu is designed for sharing.

    Breathing new life into historic spaces  

    On the city’s fringe, hidden down a winding side road with little fanfare, lies a long-dormant site that’s being gently revived. Built from locally quarried bluestone and brick, and dating back to the 1870s, the complex of original tin-roofed mill buildings is lush with greenery and backs onto the Barwon River and Buckley Falls; the audible rush of water provides a soothing soundtrack. Fyansford Paper Mill is one of few complexes of its time to survive intact. It feels steeped in history and spellbindingly rustic.  

    “We were looking for an old industrial place that had some charm and romance to it,” explains Sam Vogel, the owner, director and winemaker at Provenance Wines which moved here in 2018. When he first viewed the building with his former co-owner, it was in such a state of disrepair that the tradie tenant occupying the space had built a shed within it to escape the leaking roof and freezing winter temperatures. “To say it was run down would be an understatement,” he notes. “There was ivy growing through the place; the windows were all smashed. It was a classic Grand Designs project.” 

    Provenance Wines
    Provenance Wines moved to Fyansford Paper Mill in 2018. (Image: Cameron Murray Photography)

    The team has since invested more than a million dollars into their new home. Where paper processing machinery once sat, wine barrels are now stacked. Vaulted cathedral ceilings are strung with festoon lights, and hidden in plain sight lies a shadowy mural by local street artist de rigueur Rone – one of only three permanent works by the artist.

    While the award-winning, cool-climate pinot noir, riesling and chardonnay naturally remain a key draw at Provenance, the winery’s restaurant is a destination in itself. Impressed already by whipsmart service, I devour one of the most cleverly curated and faultlessly executed degustations I’ve had in some time. It’s all prepared in a kitchen that is proudly zero-waste, and committed to providing seasonal, ethical and locally sourced meat and produce under head chef Nate McIver. Think free-range venison served rare with a syrupy red wine jus and a half-moon of neon-orange kosho, shokupan with a deeply savoury duck fat jus (a modern Japanese take on bread and drippings), and a golden potato cake adorned with a colourful confetti of dehydrated nasturtiums and tomato powder, and planted atop a sea urchin emulsion.  

    handcrafted pieces
    Bell’s handcrafted functional pieces on display.

    The complex is home to a coterie of independent businesses, including a gallery, a jeweller, and its latest tenant, ceramicist Elizabeth Bell, drawn here by the building’s “soul”. “There’s so much potential for these buildings to have new life breathed into them,” says Bell, whose studio is housed within the old pump room. “Even people in Geelong don’t know we’re here,” she says. “It’s definitely a destination, but I like that. It has a really calming atmosphere.”  

    A Melbourne transplant, Bell now feels at home in Geelong, which offers something Melbourne didn’t. “If this business was in Melbourne I don’t think it would’ve been as successful,” she notes. “It’s very collaborative in Geelong, and I don’t think you get that as much in Melbourne; you’re a bit more in it for yourself. Here it’s about community over competition.”  

    Elizabeth Bell
    Ceramicist Elizabeth Bell has a store in Fyansford Paper Mill.