Ken Duncan's Guide to Shooting the Outback

Australia’s favourite landscape photographer shares his tips and tricks on photographing remote areas – from getting friendly with the locals to capturing fast-flowing waterfalls and getting up at the crack of dawn, it’s all in a day’s work. Interviewed by Elisabeth Knowles.

TIP ONE: CREATE DIMENSION

God’s Marbles, Wauchope, NT

This lovely scene depicts the Devils Marbles (Indigenous name: Karlu Karlu), south of Tennant Creek, but, says Ken, “Why would you give the devil the credit for something
so beautiful?"

This is the central panel of an image that would take four Australian Traveller pages laid side by side to show in full, but we’ve chosen this detail so you can see one of Ken’s favourite tricks to bringing an image to life – finding foreground interest.

“One of the most common mistakes amateur photographers make is that they’ve failed to create layers in the image," says Ken. “In real life, the landscape may be incredible but when they take a photo it can look flat. Here, the foreground rocks give a sensation of depth.

“To keep everything in frame in focus, from the foreground to the background, use a small aperture, such as f22 (the bigger the f-number, the smaller the aperture). A good rule of thumb is that the bigger the f-number, the larger the area in focus."

But he also warns: “Don’t be afraid of blur. There’s movement evident in the leaves of the tree in this shot, which adds a bit of action."

The other tip to be gleaned from this image is “be patient". Ken stayed for three days at the nearby Wauchope Hotel to capture this photo.

“I’d have a pub meal, chat to the locals, wake up early [this image was taken at sunrise] then spend the day walking around."

He adds that if you talk to people who live in the region, you’ll be let in on local secrets such as wonderful things to see nearby that other travellers wouldn’t notice or know about when following the well-worn tourist path.

One benefit of getting up early and shooting at sunrise is that you escape the crowds of tourists. “There is such a beautiful feeling here; it’s such a sacred place," says Ken of the Marbles. “When you sit among the rocks you go into a state of quiet contemplation and it filters your mind."

The one thing you may not realise from this image is the size of the rocks: “They’re huge!" he laughs. “People go and push against those balancing rocks and you think, ‘One day they’ll get a shock!’"

TECHNICAL STUFF: Camera: custom-made Seitz Roundshot 220VR (shoots a 220º panorama). Lens: 75mm Pentax 67 with lens shift. Filters: none. Medium: film, Fuji 220 Velvia, ISO 50. Shutter speed: 1/4s. Aperture: F11. Ratio: 5:1. Degrees: 225 scan, shot on tripod. Original image size: 6cm x 30cm.

TIP TWO: SHOOT AT DAWN

Haasts Bluff, NT

As with the previous image, shooting at sunrise means you often get the location to yourself. “No-one else is out of bed," says Ken, so you can take your time enjoying the landscape, uninterrupted. The other benefit to this time of day is the light.

“The best light is with the sun behind you," says Ken. “Everything in the foreground lights up and you get beautiful pastel colours. If you get up early enough, you won’t get your shadow in shot."

Two hundred and fifty kilometres west of Alice Springs, the region around Haasts Bluff is very special to Ken because it’s where he has chosen to set up an art gallery and foundation to teach Indigenous kids from the Ikuntji community to take photographs, produce cinematography and play music. The Walk a While Foundation is named after the Indigenous philosophy that you shouldn’t presume to know anyone unless you’re willing to “walk a while" alongside them. For more information on the foundation, go to kenduncan.com/index.php/walk-a-while.

TECHNICAL STUFF: Camera: Phase One P645 body with P45+ back. Lens: 35mm. Medium: digital, ISO 50. Shutter speed: 1/6s. Aperture: f10. Exposure compensation: -0.3.

TIP THREE: DON’T SHOO PEOPLE OUT OF FRAME!

Glycomis Falls, the Kimberley, WA

According to Ken, another common mistake people make when shooting landscapes is waiting until everyone leaves the frame before taking the photo. “That’s my helicopter pilot," says Ken of the man sitting on the rocks in the image above.

“A person in the shot gives scale. Don’t worry about them being there – bring them in! And don’t worry about them having to show their faces. They don’t need to be recognisable unless you’re looking to get an ‘I’ve been everywhere, man’ shot. Also, wear bright colours! I don’t know why all hiking clothes tend to be made in tree-hugging brown and khakis. I wear red or purple, so if I get lost I can be found!"

Bright hues also stand out beautifully against the ochres and greens of the Outback.

Glycomis Falls is in a remote part of the Kimberley. Ken was here straight after the wet season ended, when the waterfalls were still fully flowing.

“This is my favourite style of shoot lately," says Ken. “Finding locations where no-one else has set foot. Not many people would have ever been on the ground here [some Kimberley cruises, such as True North, come in by boat]. I’m not interested in taking photographs of the same old locations. I’m looking for secret treasures. I find many places by walking and driving, and sometimes by helicopter. I’ve spent over 1000 hours in a helicopter but I’m not interested in learning how to fly one. I want to be able to sit back and look."

TECHNICAL STUFF: Camera: Seitz Roundshot 220 VR. Lens: 75mm Pentax 67 with lens shift. Filters: none. Medium: film, Fuji 220 Velvia, ISO 50. Shutter speed: 1/60s. Aperture: f11. Ratio: 5:1. Degrees: 220 scan. Note: this is a detail from the original panorama.

TIP FOUR: Don’t SHOOT EVERYTHING HEAD-ON

Eagle Falls, the Kimberley, WA

The image of Eagle Falls [opposite page] was shot in another remote Kimberley location accessed by helicopter. Ken recommends viewing your subject from all angles. “Don’t just go for the typical stand-and-deliver shot," he says. “When you shoot a waterfall from the left or right you may catch a rainbow.

“Another consideration when shooting such a contrasty shot is that you need to read your histogram. I want to get everything in one exposure. I hate HDR [High Dynamic Range imaging]. Some people use it when there’s no need – they could have got it right in-camera. Expose for the highlights so your whites don’t blow out. Make the histogram go as far right as possible without slamming into the side."

It’s also a wise idea to do a recce first, to see what time of day your subject is lit by sun.

“There is no such thing as ‘harsh’ light – it only becomes harsh if you’re shooting straight into it. This was taken around lunchtime."

Waterfalls are terrific to photograph because the movement of water creates a sense of drama.

“A good exercise to make you understand water movement is to follow the water with your eyes," says Ken. “Moving water tends to blur unless you follow the flow. Through the camera, the longer the exposure the blurrier the water. This was shot very fast so you don’t see much blur, but in the past I’ve shot with an exposure up to five minutes. The water becomes quite ethereal; seascapes become misty lakes. My daughter calls it ‘smudgy water’."

TECHNICAL STUFF: Camera: Linhof 617S II. Lens: Schneider 72mm. Filters: centre graduated filter. Medium: film, Fuji 220 Velvia, ISO 100. Shutter speed: 1/8s. Aperture: f32. Ratio: 3:1. Degrees: 100, shot on tripod. Original image size: 6cm by 17cm.

TIP FIVE: GET TO KNOW THE LOCALS

Arnhem Land, NT

“You need to build relationships with people before you have any right to take their photograph," says Ken. “I had been on the beach with these children and their parents and we were just mucking around. They were pretty excited when they caught this turtle. It got away, thank God, but another wasn’t so lucky."

TECHNICAL STUFF: Camera: Phase One P645 body with P65+ back. Lens: 35mm. Medium: digital, ISO 200. Shutter speed: 1/320s. Aperture: f4. Exposure compensation: -0.3.

TIP SIX: USE ARTIFICIAL LIGHT

Fitzroy Crossing, WA

This boab tree was taken at sunrise, on the main road between Derby and Broome, in the Kimberley. “People drive straight past all the time," says Ken.

The technique used is called ‘light painting’: “The foreground is lit with a torch. I had my assistant go off to one side and shine the torch back and forth along the trunk and branches. He ‘painted’ it with torchlight while I took a long exposure. You could have lit the tree with car headlights but it’s hard to ‘paint’ with a car! Every traveller should carry a good torch anyway, they’re invaluable. I use the brand Wolf Eyes."

TECHNICAL STUFF: Camera: Phase One P645 body with P65+ back. Lens: 35mm. Medium: digital, ISO 100. Shutter speed: 30s. Aperture: f3.5.

These photos all feature in Ken’s latest book, Australia: Our Island Paradise (Panographs Publishing, $50). You can buy both the book and art prints online at kenduncan.com

Video credit: Tourism Australia

From coast to mountains, hiking in Gippsland offers a stunning array of landscapes, with trails that take you deep into the region’s heritage.

I step out onto the sand and it cries out underfoot. Kweek! I take another step and there’s another little yelp. Screet! Picking up the pace, the sounds follow me like my shadow, all the way down to the water. It’s obvious how this spot got its name – Squeaky Beach – from the rounded grains of quartz that make the distinctive sounds under pressure.

For many, Wilsons Promontory National Park is the gateway to Gippsland , and the best way to explore it is by walking its network of hiking trails, from coastal gems such as Squeaky Beach through to the bushland, among the wildlife. But it’s still just a taste of what you’ll find on foot in the region.

Venture a bit further into Gippsland and you’ll discover the lakes, the rainforest, and the alpine peaks, each changing with the season and offering summer strolls or winter walks. Just like that squeaky sand, each step along these trails has something to tell you: perhaps a story about an ancient spirit or a pioneering search for fortune.

The best coastal hikes in Gippsland

sunset at Wilsons Promontory National Park — Wilsons Promontory National Park is a sprawling wilderness with many coastal bushland trails. (Image: Mark Watson)

Wilsons Promontory National Park (or ‘The Prom’, as you’ll end up calling it) is an easy three-hour drive from Melbourne, but you might ditch the car when you arrive, with much of the park’s 50,000 hectares accessible only by foot. From the inky water of Tidal River (dyed dark purple by abundant tea trees), I like the easy walks along the coast, among lichen-laden granite boulders, to golden beaches and bays.

a couple on Mount Oberon — Panoramic views from the summit of Mount Oberon. (Image: Everyday Nicky)

The trail to the panoramic views at the summit of Mount Oberon is a bit harder, up steep timber and granite steps, but it’s a popular 6.8-kilometre return. The more remote hikes are found through the open banksia and stringybark woodland of the park’s north, or along the multi-day Southern Circuit , which ranges from about 35 to 52 kilometres, with sunrises and sunsets, kangaroos and cockatoos, and maybe even whales.

a golden sand beach at Wilsons Promontory National Park — Walk ‘The Prom’s’ golden sand beaches. (Image: Tourism Australia/Time Out Australia)

You might also see whales on the George Bass Coastal Walk , even closer to Melbourne on the western edge of Gippsland. This dramatic seven-kilometre trail along the clifftops takes in sweeping views of the wild ocean, occasionally dipping down from grassy green hills to coastal gullies and a secluded beach. It also now links into the Bass Coast Rail Trail for an extra 14 kilometres.

Over at the eastern edge of Gippsland, in Croajingolong National Park, you can wander along the lakeshores beneath koalas and around goannas (I keep my distance since one chased me here!). For those who are even more adventurous, the park is also the starting point for the 100-kilometre Wilderness Coast Walk , usually done over seven days.

the Croajingolong National Park, Gippsland — Wander along the lakeshores in Croajingolong National Park. (Image: Tourism Australia)

The best bush hikes in Gippsland

the Baw Baw National Park — The alpine heath of Baw Baw National Park. (Image: Everyday Nicky)

Deep in the Long Tunnel Extended Gold Mine at Walhalla, mining guide Richard tells me how this small town in the mountains east of Melbourne boomed when prospectors found gold here in 1862. These days, you’ll find most of the town’s treasure – its heritage – above ground, with the Walhalla Tramline Walk a wonderful way to explore it.

Just seven kilometres long, the walk takes you through decades of Gold Rush history, following the original rail trail from lush bushland to the mining sites, and through the charming village of just 20 residents with its wooden cottages and old shopfronts adorned with turn-of-the-century advertising posters. Blazing a trail where trailblazers once opened up the region, this is also the starting point for the 650-kilometre Australian Alps Walking Track.

Nearby, Baw Baw National Park has walks through gnarled snow gums and alpine heaths that show off the colourful wildflowers in summer and the pristine carpet of white in winter. Several trails are perfect for snowshoes, including a 45-minute route from St Gwinear up to vast views across the Latrobe Valley.

Further up into the mountains, the Toorongo and Amphitheatre Falls Loop Walk is an easy 2.2-kilometre path that serenades you with the sound of flowing water as you pass mossy rocks and tree ferns en route to two sets of waterfalls cascading over boulders in the remote wilderness.

The best cultural hikes in Gippsland

the Mitchell River National Park, Gippsland — Hike the Mitchell River National Park. (Image: Parks Victoria/Grace Lewis)

Across a pool in a natural sandstone amphitheatre, deep within a cave behind a waterfall, it’s said the Nargun has its lair. A fierce creature, half human and half stone, that abducts children and can’t be harmed by boomerangs or spears, the story of the Nargun has been told around the campfires of the local Gunaikurnai people for generations.

As a culturally significant place for women, hikers are asked not to go into the Den of Nargun, but a 3.4-kilometre loop walk leads you through a rainforest gully to the entrance where you can feel the powerful atmosphere here in Mitchell River National Park , along Victoria’s largest remaining wild and free-flowing waterway.

the bee-eaters at Mitchell River National Park — Bee-eaters at Mitchell River National Park. (Image: Parks Victoria/Grace Lewis)

The Den of Nargun is part of the Bataluk Cultural Trail , a series of important traditional Gunaikurnai sites through central Gippsland. Another location is Victoria’s largest cave system, Buchan Caves Reserve, with trails to important archaeological sites of human artefacts up to 18,000 years old. The FJ Wilson Interpreted Walk includes the naturally sculpted white limestone steps of the 400-metre-long Federal Cave, while the Granite Pools Walk goes among tall timber and moss-covered gullies.

the ancient rainforest of Tarra-Bulga National Park — The ancient rainforest of Tarra-Bulga National Park. (Image: Josie Withers)

Also important to the Gunaikurnai people is Tarra-Bulga National Park , known for its ancient myrtle beeches and enormous mountain ash trees. Just 40 minutes return, the Tarra Valley Rainforest Walk offers a taste of this verdant landscape, while the Grand Strzelecki Track takes you deep into the lost world of forest giants on an epic 100-kilometre trail rich with tradition.

A traveller’s checklist

Staying there

the WildernessRetreats in The Prom — Wilderness Retreats in The Prom. (Image: Christian Pearson)

Wilderness Retreats in Wilsons Promontory offers glamping-style tents with luxurious queen beds. Star Hotel is a reconstruction of a Gold Rush-era hotel from 1863 in the heart of heritage Walhalla. Caves House is a historic three-bedroom house with views over the Buchan River.

Eating there

the Carrajung Estate, Gippsland — Enjoy a post-hike lunch at Carrajung Estate. (Image: Everyday Nicky)

Kilcunda General Store serves great coffee and meals of local produce at the George Bass Coastal Walk. Alpine Trout Farm is located near Toorongo Falls in Noojee. Fish for your own lunch and barbecue it with the provided cookware.

Carrajung Estate is a short drive from Tarra-Bulga National Park. The winery’s restaurant offers a seasonal menu of regional ingredients and you can stay at The Lodge.

a seafood feast at Carrajung Estate, Gippsland — The table is set for a seafood feast at the estate.